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Instead of viewing Black Panther’s success as an opportunity to complain about something that is lacking in our communities, non-Black people of color should appreciate the work it took to create something of its caliber.

By Sanjana Lakshmi It’s been a few weeks since “Black Panther” came out, and its reception has been deservedly overwhelmingly positive. Ryan Coogler’s film is more than just another superhero movie: it is a blockbuster film that centers the experiences, cultures, and strength of Black folks in a way we have rarely, if ever, seen before. However, one particular response to the film by non-Black people of color has bothered me: the idea that we need to react by saying “where’s our Asian-American superhero movie,” or “where’s our Latinx superhero movie” (note that the latter doesn’t usually imply that they are looking for afro-latinx representation). All people of color deserve media representation, but this is not a constructive critique of ”Black Panther”; these concerns were rarely, if ever, raised during the decades of primarily white superhero movies. The fact that these questions are being posted in reaction to a successful Black superhero movie that is breaking the box office is no more than thinly veiled anti-Black racism. “Black Panther” was not simply handed to the Black community. Black folks fought for this movie. Media representation of the Black community has been historically stereotypical, if not offensive and racist, from caricatures to hyper-sexualization. Wakanda’s portrayal as a technologically advanced and successful African nation untouched by the devastation of colonialism and imperialism is groundbreaking in itself, and the movie’s depiction of Black women stands in contrast to the stereotypes that have been pervasive in our media. These long-awaited portrayals, and their positive reception, need to be celebrated. This is not the time for non-Black people of color to be saying, “what about us?” Black directors, producers, writers, and actors have been fighting for this kind of representation for decades. Black Panther’s success was not an easy feat. It is important to note, too, that there is an extraordinary amount of anti-Blackness in non-Black communities of color. In the South Asian American community, anti-Blackness comes in many forms: the billion-dollar skin-whitening industry, the attacks on African immigrants within the South Asian subcontinent, the model minority myth, and overt as well as subtle colorism. This only scratches the surface of entrenched racism within one non-Black community of color—all of this while Black communities have historically not only supported, but actively fought for the rights of non-Black people of color.
Related: THE BLACK FEMINIST ARGUMENT FOR ‘BLACK PANTHER’

As hate crimes against South Asians continue to rise, we need to dispel stereotypes and wear our voices.

By Rachna Shah On Sept. 4, 1907, a mob of around 400 white men attacked the homes of South Asian Indians in Bellingham, Washington. They threw them into the streets, beat them, and drove them out of town. Similar riots happened in Vancouver, in California, and elsewhere in the state of Washington during the rest of the decade. It was only a century later that the horror of these events was recognized by Bellingham’s government. Yet while race riots and Asian exclusion efforts are a part of American and Asian history, they are largely ignored in textbooks and the media. India is associated with the caste system and third-world diseases. In film and on television, South Asian Indians are portrayed as extremes rather than as spectrums — as either too willing to assimilate or not willing to assimilate. In moving forward, the coverage of South Asia must be more accurate and comprehensive. Mainstream media not only mirrors, but shapes our culture. It produces and reinforces stereotypes of certain cultural groups. Having one’s history and experiences recognized and appreciated in mainstream media allows young South Asians to embrace their culture, not be ashamed of it. South Asians have long been portrayed as separate and different than white people. They have heavy accents, eat spicy foods, and are generally nerds or geeks, until the very recent past, according to Dr. Bhoomi Thakore, Assistant Professor and Director of the Sociology Program at Elmhurst College. “Today, actors such as Mindy Kaling, Aziz Ansari, Kal Penn, and Priyanka Chopra are players in a larger Hollywood elite circle that inform the ability to move ahead in that industry,” Dr. Thakore explains. “For example, Kaling originally started as a writer for “The Office”, and essentially wrote her character for the show. Over the years, Kaling’s character existed as someone who just happened to be Indian, who was ‘just like everyone else.’”
Related: NO THANK YOU, APU — DON’T COME AGAIN.

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