The treatment of Black characters on "Charmed" is still lacking in nuance, but I believe it still has the potential to be headed in the right direction. This essay contains spoilers for "Charmed" By Cosima Smith I grew up watching "Charmed"—the original, slightly
It is clear that the cultures of Black, Brown, and Indigenous peoples are incredibly significant because of how much white people fear them.Throughout history, cultural traditions have been used to mobilize groups of Black and Brown people together against a common threat—white supremacy. People of color have survived centuries of endless white violence and, at many turns, have used the power and reverence for our many cultures as a means to fight back. It is crucial that we preserve our cultural roots as much as we can, especially in these times when white supremacy and nationalism are so blatantly on display. White supremacists and nationalists have historically used the concept of “culture wars” to demonize people of color and paint themselves as victims, usually of some form of the white genocide mythos. Racists and xenophobes yelling at people of color for not speaking English, even threatening to call ICE, is one of the many hills they choose to die on. Their fear of other cultures—languages, traditions, religions, ethnicities, ideologies—is apparent in their actions, on both small and large scales. During the build-up to the 2016 presidential election, National Review’s Reihan Salam described culture wars as the “fight over the future of American national identity in the face of rapid and accelerating demographic change.” Culture wars are, more or less, a seemingly endless contention over who can and who cannot be considered a “True American,” with white, cis straight, conservative, Christians being the ones with the most ability to lay claim to this title and, therefore, also the ones with the ability to determine who else has access to rights in America. “In almost every case, these culture wars have been conservative projects, instigated and waged by people anxious about the loss of old orders and the emergence of new ones. Their anxiety finds expression first as a complaint about a particular policy, and second as a broader lament about how far the nation has fallen from its founding glory and how desperately we need to restore whatever is passing away.” —Stephen Prothero, Washington Post It is clear that the cultures of Black, Brown, and Indigenous peoples are incredibly significant because of how much white people fear them. Therefore, we cannot forget how our ancestors have used their various cultures as weapons against white supremacy, as tools to work towards their own liberation, and as mechanisms to cope in their positions as marginalized peoples. We cannot forget how the many children of the African Diaspora have used cultural traditions to combat and subvert white supremacist violences as they waded in the devastation of the Transatlantic Slave Trade. Bois Caïman is where the seed that would grow into the 18th century Haitian Revolution and slave insurrection was planted. At this site, the organized resistance began to take form when a traditional Vodou ceremony was performed. Vodou is a religion and philosophy with deep cultural roots and significant meaning that was birthed in Haiti (once called Saint-Domingue) when an amalgam of religious beliefs were carried to the island with the ships harboring people stolen from Africa. During this time, Haiti was under French colonial rule. The island was rich in sugar, coffee, and indigo, which the enslaved were forced to harvest and maintain. Their revolution was a fight against the harsh labor, as well as the dehumanization and incremental genocide at the hands of the French colonists.
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