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If you really want Black women to "save you", do us all a favor and save yourself.

Last night, America watched as Alabama held an election as to who would hold the Senate seat. In a close race, Republican Roy Moore lost the race by 20,000 votes to Democrat Doug Jones. So many are stunned by the Democrat victory in a deep red state, but it's not so much who won this Senate race than who is still being fetishized that bothers me. We've seen this spotlighted since the 2016 presidential election — when the poll breakdown by race and gender are published, the numbers confirm what Black women* have known since the dawn of time: we are one of the very few, if not the only, community that has consistently voted in the interest of human rights. Yet, our voting choices has always been weaponized against us; turned around from being an act of self-preservation into one that assuages white folks' racist guilt, giving them an opportunity to "thank Black women for saving [us]". Here's a news flash: We never belonged to you. This morning, my social media was flooded with posts from "well-meaning" to obtuse non-Black folks who mentioned the same fetishizing nonsense we've been seeing since politics turned into a dystopian nightmare for everyone else. Amidst the "Black women saved us," and "Black women voted for us," there's an afterthought of supporting Black women. But these bare minimum posts signal nothing more than finding another way to assert power over Black women. The bar is set on the ground if white folks are using a Senate election as the push they need to finally understand that this country is built on white supremacy. But even more than that, it is no more than an opportunistic ploy to once again treat Black women like the mammies or mules they want us to be. You can set a watch to the timing of white supremacy using Black women for their own means. In centering Black women's voting track record, this means that Black women are collectively robbed of their personal autonomy. When the first thought that comes to the minds of non-Black folks is that anything Black women do is for anyone but themselves, we are moving to take ownership of Black women. Plain and simple. To assert that kind of power over a marginalized group is an extension of the white supremacy that already hangs over our heads.
Related: PRACTICAL WAYS WHITE ALLIES CAN INFLUENCE THEIR COMMUNITIES

Nicki Minaj has participated in the continuation of the hypersexualization and erasure of Native women in our culture via lateral oppression.

By Arielle Gray [TW- discussion and mention of sexual assault against indigenous women.] Nicki Minaj proverbially broke the internet with the new cover of PAPER Magazine that dropped last week. The cover shows three versions of Nicki, one on her knees in front of another version sitting down whose breast is being touched by the third version. The cover is highly sexual but in a good way — the "Minaj à Trois" was not only a clever ode to her alter egos but a testament to sexual autonomy and queerness. It didn’t take Instagram artists long to begin re-creating different versions of the PAPER cover. Most recently, she posted a reworked version called, “Pocahontas A Trois” on her Instagram page. “Which one should I get hung up in my Barbie Bedroom?" she asks her users in the post. "I'm torn between the bad bunnies...and Pocahontas." https://www.instagram.com/p/BbnIKl2BBps/?hl=en&taken-by=nickiminaj Before we begin the breakdown of why Nicki’s post (and her negligence to take it down) is so problematic, let’s get one fact straight: a large number of people labor under the delusion that Pocahontas was not a real person, and that Disney created the princess and her story. The reality is that Pocahontas was very much real, and was an underage girl who was forcibly married, raped, had her Native name changed to the more English “Rebecca” and on top of all of that, she was shipped off to England where she fell sick and died at the premature age of 21. The saddest thing about Pocahontas’ story is that what she experienced is neither uncommon or rare. Her life is a historical testament to the power of racial misogyny and the erasure of indigenous women and their stories from history. Reworked into a Disney movie, her suffering (and the suffering of other indigenous women) was erased as well. Disney's Pocahontas has served as a festishized, colonized and stereotypical trope for Native women, reinforcing the systems that are already at work against them. As it stands today, ⅓ of Native women will be raped at some point in their lifetimes — this number is twice the national average. Furthermore, over 80% of rape cases are committed by Non- Native men, the majority of whom are white men. Federal loopholes allow non-Native rapists to get off scott free — tribal courts do not have the federal power to persecute non Tribal members when it comes to sexual violence and rape. This gap in the law perpetuates the predation of an already underrepresented, under protected minority group.
Related: NON-NATIVES ARE USING THIS TRIBAL LAW LOOPHOLE TO RAPE INDIGENOUS PEOPLE

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