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The harassment that Page faces particularly hit home for me because it shined a light on the specific struggles that LGBTQ+ people face.

[TW: discussions of sexual violence and harassment, homophobia.]  If you've been taking note of anything in public media lately, you've most likely seen accusations of powerful Hollywood figures committing acts of sexual violence finally getting the publicity it needs. In fact, it's hard to take note of what was in the news outside of that. Day after day, we've seen stories shattering the facade that these abusers have so carefully crafted in the public sphere. The lock has been lifted on Hollywood's secret of sexual violence, and there's no turning back. But despite the long list of survivors telling their stories, the stories keep coming. For me, one that took my particular attention was Ellen Page's. Page took to her Facebook page last week to speak on the sexual harassment that she experienced. As she writes, she was harassed by director Brett Ratner, who she worked with X-Men: The Last Stand when she was 18. In the post, she speaks on the deliberate outing of her sexuality that she had to endure, slurs and derogatory comments that Ratner made about her and other women on set, and even comments suggesting that Page be "...f*cked so she realize that she's gay."
Related: QUEERLY CONFUSED: COMING OUT AS A MUSLIM DESI MILLENNIAL

Hypothetically Marshall is a feel-good ode to allyship, but in practice, it ends up being a disservice to one of the legacies of the most accomplished, important legal minds in American history.

We are living in something of a Black Renaissance right now in terms of the arts, music, and movies. After more than a decade of domination by Tyler Perry and reality TV, the silver screen and the small screen have exploded with shows like Insecure, Queen Sugar, and Atlanta and movies like Moonlight, Selma, and Fruitvale Station. But while the artistic zeitgeist of the Black Lives Matter era has paved the way for more ambitious Black stories, not all these productions hit the mark. The most recent to miss is Reginald Hudlin's Marshall featuring Chadwick Boseman in the titular role. Instead of a sweeping exploration of Thurgood Marshall's unreal career from trial lawyer to Supreme Court Justice, or an in-depth exploration of one of his many harrowing casesrumbling into the South to save the life of a falsely accused Black person — this film zeros in on a case that Thurgood Marshall could not even argue. In Marshall, Thurgood is banned from litigating in court and can only serve as an advisor to a reluctant, white Jewish insurance lawyer who argues the case instead. Hypothetically the film is a feel-good ode to allyship, but in practice, it ends up being a disservice to one of the legacies of the most accomplished, important legal minds in American history. Thurgood Marshall was a lion of the court — a looming figure with a huge personality, who for much of his career pulled off impossible cases. He argued Brown versus Board of Education and ushered desegregation. He argued in the South amid the violence of the Ku Klux Klan. He crisscrossed the nation and even argued in front of the Supreme Court.
Related: WE DON’T NEED ANYMORE YOUNG ADULT FILMS STARRING WHITE WOMEN

Louis C.K. and others are able to harass and assault victims because they have teams of people protecting them.

[TW: Description of harassment and assault.] The New York Times released their latest piece about sexual assault and harassment, this time Louis C.K. has been outed as a serial perpetrator of sexual harassment, and five women have come forward with their accounts of C.K. masturbating either in front of them or over the phone without their consent. There have long been whispers and rumors about C.K., but those allegations have stayed under the radar and away from accountability. C.K.’s behavior and crimes aren’t surprising nor are they an anomaly. Harassment and sexual assault comes in many forms. When I was about 13-years-old a man sat down in front of me in a public bus on my way back home and stared at me while he masturbated. I had to run off the bus three stops before my destination. I didn’t really know what he was doing, I just knew it was fucked up and I felt horribly uncomfortable. While this happens frequently in public, what doesn’t happen often enough is accountability and justice. The man who jerked off to me in the bus did so in broad daylight, around other adults who looked the other way. No one protects children, no one protects young girls, nobody truly cares and we don't start caring more for the adult victims of assault either. 
Related: R. KELLY IS A PREDATOR, BUT HE GETS AWAY WITH IT BECAUSE WE DON’T PROTECT BLACK GIRLS

Ciara and Cardi B's success proves that Black women can be successful without being tethered to toxic relationships and misogynoirist standards of womanhood.

By Clarkisha Kent Everybody likes a good Cinderella story. Well, at least that's what people want you to think. Mostly because to fit the role of the titular heroine, one must have suffered long, been painfully obedient, oh-so-modest, oh-so gracious, and exceedingly humble. Only then can one assume that this alleged Cinderella figure is the ultimate pious, virtuous, and virginal woman. And only then, would they truly deserve happiness. Except...issa lie. All of it. And Cardi B's rise to fame (read: the existence of hoes) and the public, romantic ascension of Ciara (a former, single mother) proves it. Ashy Cryeses and PickMe Tinas around the world have been thrown into a tizzy this year based on the prosperity and opulence Cardi B and Ciara have been experiencing. Usually, I’d write this all off as basic jealously and hotepery, but it's a bit more complex than that, starting with this: 1. Cardi B breaks the rules according to Judeo-Christian ideas of purity translating into reward. The myth of the "good", pious, sexually-pure woman being THE premier woman (re: Purity Culture) is a myth that predates most modern societies and finds a lot of roots in Judeo-Christian beliefs. In fact, I could dwell on how this is probably the chief instigator of the Madonna-Whore complex but that’s a story for another time. Still. Said myth has always been tied to the implication that a woman must be exceedingly "pure" and "good" for them to experience success. And whether you are a believer or not, one must acknowledge that white supremacy has no qualms with utilizing such principles to keep women and non-men in line and has done so since the beginning of time. And one must also acknowledge that this weaponization of purity has always been disproportionately applied against Black and Brown women, even in our own communities. Which is why Cardi B, the walking contradiction, makes Ashies and PickMes so fucking mad. Let's be honest: Cardi has had an amazing year. She signed with Sony/ATV. Her song "Bodak Yellow" peaked at #1 on the Billboard Hot 100 chart. She's been at every award show this year. She's been on magazine cover after cover. And she just got engaged to one-third of Migos
Related: NOW *YOU* NEED TO LEAVE CIARA THE F*CK ALONE.

If South Asians only respond to racism when it is directed at them, rather than when it is wielded against people more vulnerable than them, they will forever be held hostage by the need to assimilate into white supremacy.

By Sangeetha Thanapal Recently, Priyanka Chopra, the lead actress of ABC’s Quantico, was told she was “too ethnic” for a movie role in Hollywood. This understandably upset Chopra. She took it “very personally” and stated that she hopes to change the way the industry functions in time to come. Chopra has lived in the United States, speaks fluent English, was 'Miss World 2000', is able-bodied, thin, light-skinned and has 11 million Twitter followers. All of these should mean she is a shoe-in for major movie roles in Hollywood. Unfortunately, racism within the industry has limited her opportunities, and in her reaction, she pointed out the inherent stereotypes of people of color that plague Hollywood. Interestingly, this was not Chopra's position just a year ago. When the controversy of #OscarsSoWhite erupted in 2016, Chopra, who was asked about it at the Oscars, gave something akin to a white, liberal answer. She said that “casting by race is a very primitive idea to (her),” and that she believes she got her role in Quantico simply because she was the best person for the job, despite the fact that the producers have made it clear that they wanted to cash in on her existing fame and reach. Furthermore, her answer is fundamentally anti-black. #OscarSoWhite was started by black activist April Reign, and much of the writing and commentary on the racism of the Oscars was by black intellectuals. Many of the actors and actresses that refused to attend the show that year were also black. To glibly deny that they even had a reason to point out the racism of the Oscars and to boycott it is essentially anti-black.
Related: YOU CAN BE BROWN AND ANTI-BLACK: ON LILLY SINGH AND MODERN DAY BLACKFACE

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