I want to see "BoJack Horseman" succeed at writing a nuanced portrayal of a person of color and their culture. By Linh Cao “I stepped outside of the Ho Chi Minh airport and felt the humid air envelope me. Palm trees taller
Media representation matters. What you see on television has the potential to shape your opinion and worldview. In fact, a report from published by Color of Change found that Black people are misrepresented in television shows and news coverage. Some
Don’t pity Tommy Wiseau for not getting a word in at the Golden Globes, both him and Franco are celebrated for nothing more than being overconfident assholes.By Nicole Froio Once you’re awake, you can’t ever truly enjoy a movie again. That’s the conclusion I got to watching James Franco’s “The Disaster Artist”, a comedy about the production of the worst film ever made turned cult classic “The Room”. Franco, who won a Golden Globe for Best Actor in a Musical and Comedy, set out to tell the bizarre story of Tommy Wiseau, a quirky-looking, strange-acting man whose dream was to be a Hollywood actor, and his quest to write and film his ‘masterpiece’. However, given the continuous revelations of sexual assault and harassment in the last four months and the practices of abuse of power that seem to be pervasive in Hollywood, Franco’s “The Disaster Artist” shows how white male privilege is uplifted in society—even if the ‘artist’ in question is essentially a failure. The fact that Franco’s movie is billed as a comedy shows how he thinks white male privilege and the abuse that often comes with it is a huge joke. Franco himself was caught trying to pick up a minor in 2014, and is now being accused of taking advantage of actress Sarah Tither-Kaplan. No wonder he made a movie that essentially celebrates white male incompetence and abuse. When Wiseau and his friend Greg Sestero move to LA to try their luck in Hollywood, it is obvious that they are both painfully, objectively untalented. While Sestero can rely on his good looks and youth, Wiseau’s frighteningly pale skin, long greasy black hair and creepy demeanor puts him in an extreme disadvantage when auditioning for parts. His Eastern European accent would perhaps be forgiven if it wasn’t for his insistence that he is 100% American and from New Orleans. From the very moment anyone meets Wiseau, it’s evident that something is off; yet, his strange behavior is forgiven as quirky and eccentric by Sestero.
Films glamorizing illness are downright dangerous because they put out a false projection of what people like me deal with on a daily basis.By Jazmine Joyner The "sick girl" genre of film is a name I gave to movies that feature stories around sick women and girls (predominantly white sick women and girls) and about how they flew into a male character's life and within a short amount of time they teach him how to live, as they die. Movies like "A Fault in Our Stars" (this is the reverse, it's a manic pixie dream boy, refreshing!) , "A Walk to Remember", " I Miss You Already", "Now is Good", "Me, Earl, and The Dying Girl", and "Me Before You" are prime examples of films that use illness as an inspirational tool to serve white able-bodied people. I am borrowing the Manic Pixie Dream Girl trope, which is a term coined by film critic Nathan Rabin that is defined as "That bubbly, shallow cinematic creature that exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures." This definition fits these characters to a tee. In "A Walk To Remember" Mandy Moore's sick and soulful character Jamie Sullivan teaches Shane West's bad boy going down the wrong tracks, Landon Carter, about love and being an upstanding human, even finding the time in-between chemotherapies to reunite Landon and his father. Jamie's illness even inspires Landon to go into medicine. All while our girl Jamie is this stagnant character that solely lives to be loved by Landon. She needs nothing else, craves nothing, and then dies. She is a perfect manic pixie sick girl. Films like "A Walk To Remember" are harmful because of how they represent sickness and those who are living with illnesses every day. Every film mentioned above is used not to show a real person dealing with chronic disease and having a good life despite their diagnosis. But make the sick person a prop to their abled counterpart. They are a life lesson or some inspirational figure there to only further the abled characters development. In these films you see glamorous frail white girls laying in bed pining for love. Because you know love can heal, naturally. These depictions not only are boring but are completely unoriginal.