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The industry and white feminism do this all the time, they come up with new and asinine ways to validate exclusion in Hollywood and a complete disregard for women of color who are making incredible strides.

By Candice Frederick I’ve tried to bite my tongue about this. After all, it’s just great to be mentioned, right? Because as women, when one of us wins, we all win, right? RIGHT? Wrong. It’s 2018, and I’m tired of seeing women of color show up for then take a back seat to white women whose accomplishments are just as great as their own, yet they must settle for simply being in the same room as them. Nope, not today Satan. Not anymore. Let me be more frank. You know how everyone is going on about "Lady Bird" this and "Wonder Woman" that, Greta Gerwig this and Patty Jenkins that? It seems like every Hollywood pundit is hailing the two for leading the charge for women filmmakers in 2017, as if Dee Rees didn’t just deliver one of the most astounding and technically amazing films of the year with "Mudbound" (her second since 2011’s also criminally underrated "Pariah"). Where is she in the conversation? Why is she not “leading the charge” and a frontrunner for best director this season? Why this year out of all years, when women are finally being centered in major industry discussions, does that not include Rees? This isn’t about taking anything away from Gerwig or Jenkins (because I know that’s exactly where certain minds go when you try to integrate conversation). In fact, "Wonder Woman" is my favorite movie of 2017 and "Lady Bird", well, is a very pleasant film for those hungry to see a simple story about a young white girl on the cusp of adulthood (because the landscape is sorely in need of those, right?). This also isn’t about using white women’s success as a barometer for women of color creatives, because that’s neither necessary or productive. Rather, this is about including women of color as we amplify those who’ve made extraordinary achievements in 2017 film. Is that too difficult of an ask, too outrageous to consider as more and more award nominations are unveiled sans her name?
Related: 2017 IS THE YEAR WHITE FEMINISM CHECKED HERSELF INTO HOSPICE AND REFUSED TO DIE

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