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We have to remember that this cultural moment is about far more than the despicable things R. Kelly has done, and we cannot allow others to use him or anyone else's more visible forms of misconduct in order to deflect from their own.

This essay contains discussions of r/pe and sexual violence against minors, sexual harassment, and domestic abuse. “Surviving R. Kelly” aired on Lifetime last week, in which women who were preyed on by R. Kelly spoke about the abuse they experienced and witnessed. Several celebrities also made appearances to criticize the singer and his abuses against girls and women. Among them were rapper Joe Budden, radio host Charlamagne Tha God, and music journalist Touré. These three men spoke with conviction about how appalled they were by the details of R. Kelly’s case, and I’m sure they were very convincing to viewers in their admonishment of him despite their own unsavory behavior. Not only has Charlamagne tweeted horrible “jokes” about R. Kelly and statutory rape in the past, but he has also admitted to drugging and date raping a woman and has another rape allegation against him from a woman who says he assaulted her when she was just 15 and he was 22. Joe Budden’s former girlfriend detailed how he physically abused her. Even though the charges were eventually dropped, the rapper did plead guilty to a disorderly conduct charge connected with the incident. Furthermore, graphic photos of his accuser’s bruises around her neck released by TMZ certainly provide evidence of violence. This week, Touré was publicly accused of aggressive sexual harassment by a makeup artist who used to work with him. She spoke up because she saw him in “Surviving R. Kelly” and commented on the irony of him appearing to discuss the singer’s sexual violence after having participated in sexual misconduct himself. She provided screenshots of his apology in a private message to her, which included “Please don't talk badly about me! I'm so ashamed to think of that happening.” Touré issued this response to the public accusation: “On the show, our team, including myself, engaged in edgy, crass banter, that at the time I did not think was offensive for our tight-knit group. I am sorry for my language and for making her feel uncomfortable in any way. As a lead on the show, I should have refrained from this behavior. I have learned and grown from this experience.” Knowing about the allegations against and confessions of Charlamagne and Joe Budden, and now learning about the disgusting behavior of Touré and his shitty apology, seeing them appear in the capacity they did in “Surviving R. Kelly” is dubious, to say the least. This unfortunate juxtaposition has helped me put words to something that has bothered me for over a year now. It starts with Aziz Ansari and the public responses to a woman's account of a "bad date" with the comedian from 2017, in which “Grace” detailed how he made her increasingly uncomfortable with his sexual advances towards her as the night progressed. It was certainly a polarizing moment, with some speaking up to say they had also experienced that kind of treatment on a date and others missing the point by excusing his behavior because they perceived his sexual aggression as normal.
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It's time for the black community to stop neglecting black trans women and leaving us to fend for ourselves.

When myself, Black Lives Matter co-founder Patrisse Khan-Cullors and community activist Blossom Brown interrupted Charlamagne tha GOD's Hip-Hop and Politics panel on the MSNBC stage at Politicon this weekend, we knew it would be the catalyst for an overdue conversation within the black community. [embed]https://twitter.com/ashleempreston/status/891821597073457153[/embed] As news of our protest spread like wildfire on social media platforms, thousands of people began stating their positions on whether they felt that Charlamagne tha GOD, and alleged comedian Lil Duval, held fault in the dangerous transphobic dialogue that took place on air last week during iHeartRadio’s show, The Breakfast Club. [embed]https://twitter.com/fatfemme/status/891367522561392642[/embed] Of course there were apologists who immediately began defending Charlamagne and Lil Duval. Instead of addressing how Charlamagne used previous guest, transgender author Janet Mock as a prop to provoke a controversial response from Lil Duval for sensationalism and ratings, they chose to argue that Lil Duval is his own man and independent of The Breakfast Club. They didn't see fault in Charlamagne and his co-hosts laughing hysterically at his adamant assertion that if he had sex with a trans woman he'd kill her. They didn't see any harm in Charlamagne and DJ Envy sexualizing Janet Mock – a married woman – by asking Lil Duval if he found her beautiful and if he'd engage in sex with a transgender woman. They chose to defend death to trans women by making the false argument that we are sexual predators who are out to trick men into having sex with us, therefore if we’re killed, it's a justifiable response.
Related: THE BREAKFAST CLUB IS NORMALIZING VIOLENCE AGAINST TRANS WOMEN

There is no room for the active dehumanization of trans women, we’re done with your shit and we’re fighting back.

Last week, Janet Mock was a guest on the popular radio show, The Breakfast Club. The author and activist is on a press tour to promote her newest book, Surpassing Certainty and she bravely appeared on the historically misogynistic show. The interview was anything but professional and things went very awry when hosts DJ Envy and Charlamagne tha GOD put Mock in a hot seat of inappropriate and invasive questioning that focused heavily on her body in a way that can only be described as just plain ol’ harassment. Mock was subject to antagonizing questions such as, “what made you become a transgender as opposed to a gay male?”, “You had your penis cut off?”, “where did you get your boobs?” and at one point in the interview, Charlamagne tha GOD, bluntly asks, “do you have a clit?” in which Mock is visibly uncomfortable answering.
Related: READING JANET MOCK’S ‘SURPASSING CERTAINTY’ AS A BLACK TRANS WOMAN

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