The assumption that most sexual assault victims lie has been proven false and this fact has been known for quite some time. Yet, the toxic notion still prevails.Since late last year we have heard women and men come forward with their experiences with harassment and sexual assault as part of #MeToo, a movement started by activist Tarana Burke over a decade ago and catapulted into the spotlight because of the hypervisibility of the accused. We have also heard the rumbling undercurrent of the cishetero patriarchal establishment trying to buck against the changing times. 2017 was a start, but we still have a long way to go. The proof lies in the heated debates over the Aziz Ansari allegations. What should have been another voice to join the #MeToo chorus became way for opponents to begin anew at their attempts to dismantle the movement. “Why didn’t she say anything, if she didn’t consent?” “Why did she do those things if she were really scared?” “Why didn’t she tell any authorities if it were really assault?” By the second week of 2018, it seemed that, so many people have forgotten the education that previous year brought. The stereotypes and fallacies that had stifled voices for so many years were back in full force. In truth, sexual assault and rape allegations have always been heavily shrouded in suspicion, so much so that no matter how the victim acted before, during, or after the assault, no matter how they reported her experience, or how long it took them to come forward, the victim was always at a disadvantage. They are always lying. That sounds harsh, but the stereotype is so deeply rooted in our society, that we learn to strongly believe the most rape victims are lying about their assault despite data which proves otherwise. The victim must come forward with enough DNA to reconstruct the assailant in a lab like some “Black Mirror” type of scene. Otherwise, the missing evidence indicts the victim and exonerates the rapist in the court of public opinion long before they even go to court. Actually, many of the victims are treated like criminals for no other reason than their desire to report the heinous crime they underwent.
Women and femmes learn how to please others, and cisgender men learn to be pleased or to discard us until they are.A Babe dot net article (a site I’d never heard of until a few days ago) broke a story about Aziz Ansari allegedly assaulting a young woman named Grace* and a media frenzy followed. One of my favorite articles about this incident was one by James Hamblin at The Atlantic titled “This Is Not a Sex Panic,” and one of my least favorite was an abhorrent opinion piece by Lucia Brawley on CNN which basically claimed that if you don't physically fight, you cannot claim to be a victim of coercion. Because, y’know, real victims (of assault/rape) fight — or as she put it, are “stubborn.” Brawley goes on to applaud “actual victims,” writes briefly about how she and her husband put their daughters in karate or whatever and teach them to “fight back,” while completely glossing over the fact that even they have to learn how to fight back because we live in a sexist society where women like their mother invalidate or dismiss women like Grace who are taught, like most women, to protest men indirectly, gently. And consider this lovely excerpt: “Ansari is not Harvey Weinstein. He's not even on the same planet. We have to differentiate between the two if our #MeToo movement is to succeed. If we don't, no one will take our valid claims seriously and things will get worse for women.” Juxtaposing the nice guys who “just made a mistake” and “actual rapists” promotes the distancing of regular, “normal” men from the lurking-in-the-dark insidious predators and subtly shifts the blame over to women while making us constantly question the validity of our experience — the burden of proof is always on the victim in these “grey area” cases. The Brawley article has white faux feminism dripping all over it — note that Brawley briefly mentions privilege but neglects to probe deeper. A whole conversation could be had about who had the privilege in the Ansari encounter: the pristine, victimized, presumed white woman Grace, or the famous, powerful “nice guy” of color. Brawley does mention Ansari being a man of color but then compares that to Grace’s “sexual power,” a throwback to the idea that our power as cis women lies in our pussies, our “sex.” This is a patriarchal fallacy. She also emphasizes how much he has uplifted women in the industry — something that many people do to invalidate claims of assault, racism, or sexism by an oppressed party.
Let's interrogate the politic of comparing Aziz Ansari to Emmett Till.A storm of articles has appeared over the last 48 hours regarding the account published by Babe magazine on the disturbing encounter between Aziz Ansari and a young woman who, in the account, is simply called "Grace." A large majority of these articles, particularly the ones published in mainstream media outlets such as the New York Times and the Atlantic, have rushed to Ansari's defense, accusing "Grace" of enacting "revenge porn," and merely "exaggerating" an episode of "bad sex," which, they claim, she should have had the foresight and/or common sense to resist. Among the arguments put forth in defense of Ansari — surprisingly by many whites, perhaps in an eager bid to prove themselves NotRacist™ — is the one that claims Grace used her status as a white woman to damage and discredit the career of a man of color (Ansari is a Brown south Asian man). Although no reference to Grace's racial identity was given in the original account, many subsequent articles have assumed Grace to be white because of Ansari's history of dating mostly white women. Regardless, though no facts are known for sure about Grace's racial identity, this has been the narrative: a white woman played up her helplessness in order to disempower a man of color. So let's begin with the phrase "man of color." This encompasses a rather large and diverse category of people who, at least in the United States, have historically had quite distinct relationships to both masculinity and whiteness as such. It is true that there has been a long and painful history of white women wielding their whiteness in violent ways against Black men and boys specifically. Throughout the history of the American south, there were countless documented cases of white women fabricating or exaggerating stories about being assaulted or harassed by Black men or boys, which resulted in tragic and fatal consequences for the latter. The case of Emmett Till is perhaps the most well-known and egregious example of this phenomenon, in which a white woman lied about a 14-year old Black boy whistling at her in public. As a consequence, Till was murdered by two white men in the most brutal way imaginable. Because Blackness as such is hyper-masculinized within the U.S. racial order, Black boys and men have historically been portrayed by white people as dangerous, violent, or criminal, and white women have capitalized on this trope by exaggerating their own "innocence" and "helplessness" in order to skew the balance of power further in their favor. Meanwhile, Asian American men have had a different relationship to masculinity. If Black men have been hyper-masculinized in our culture, Asian American men have been hypo-masculinized—that is, feminized or seen as less masculine than the desirable (i.e. white) standard. Constructions of Black and Asian men's masculinity as either "too masculine" (i.e. dangerous/violent/criminal) or "not masculine enough" (i.e. unthreatening/weak/compliant) are both racist because they are framed only in reference to white masculinity as the middle standard. Not surprisingly, Asian American men's critiques of racism have often amounted to protesting the way in which they are constantly "emasculated" under white supremacy. The problem with this appeal is that it still frames white masculinity as the desirable standard into which they (Asian American men) should be rightfully included.
Coercion is not consent. It is sexual abuse. It is sexual assault. It is rape. And "no" is a complete motherfucking sentence.[TW/CW: Descriptions of sexual assault, violence and rape culture.] With each 24-hour breaking news cycle I wait for the inevitable fall of another admired hero. I’ve almost gotten used to the gut-punch that comes with hearing about some new awful thing a beloved artist has done. And this weekend our feminist ally and Desi trailblazer of representation and inclusion, Aziz Ansari fell from that pedestal after a piece was published on Babe.net over the weekend. I’ve lauded Ansari’s work on "Master of None" to no end. I’ve seen his stand-up comedy live. I’ve been a huge supporter of his since he first appeared on "Parks and Recreation", bringing some much-needed South Asian representation to primetime television. The fact that he was an “out” feminist ally who openly spoke about his developing feminist consciousness, encouraging other cishet men to follow suit, only solidified his place as a Desi prince amongst Hollywood royals. So I’ll be honest: When the allegations about Ansari’s inappropriate sexual behavior while on a date broke, I didn’t want to believe them. As I read through the details of what happened, I found myself saying, “This isn’t sexual assault. This is several bad dates I have been on in the past. His behavior is totally normal. Why is she making such a big deal out of this?” And until that moment, I didn’t realize that a part of me is still conditioned to protect the patriarchy in which I was raised and which continues to rule the world, dictating that women and femmes' autonomy isn’t actually our right. It took a beat to realize that as much as I am aware of the cisgender men-behaving-badly excuse, without a hint of irony I was suddenly normalizing Ansari’s behavior as fitting that mold. Even worse, I was not seeing an issue with it because that is what men on dates do. It took longer for me to come to terms with why I was able to justify this situation in particular.
While the majority of the nominees and winners reflected a very white ideal within the entertainment industry, there were some powerful wins. By Thelma Rose The 75th Golden Globes saw women taking representation and resources for non-men into their own hands with,