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“I Feel Pretty” is mostly an exasperating attempt to appeal to all women as it blatantly marginalizes others.

by Candice Frederick I have seen most of Amy Schumer’s live action projects, including “Snatched”, which is an abomination for many reasons, including racist stereotypes. Like so many comedians, her best work is in stand-up, specifically on “Inside Amy Schumer”. Schumer’s work has helped normalize the idea that (white) women can be brash, unapologetic, feminist, and successful. She is funny, when the material is hers and when it isn’t fat-shaming or racist. The criticism she’s received is based in truth; after all she is a white, blonde woman from Long Island who can joke about her lower back tattoo,  blow jobs, and waking up in someone else’s bed after a wild night and be celebrated for it—she’s privileged, whether she recognizes that or not, and this shows in her newest film, "I Feel Pretty". When I first saw the trailer for the movie, in which she stars as Renee, a woman who suffers from low self-esteem about her physical appearance and wishes herself to be “beautiful” in order to achieve success, it gave me pause. I was conflicted, but I was interested in her addressing a real issue that plagues so many women who believe their self-worth is based on their physical appeal. It’s right on brand with who Schumer is as a comedian, and it is an important topic to explore. Yet, after watching the movie, I was acutely aware of one other thing: Schumer’s brand continues to highlight what’s wrong with white feminism. I can pinpoint this to one particular scene in the film: Renee goes to a spin class and, ridiculously, falls off the stationary bike onto the floor and bangs her head so severely that it knocks her out. She wakes up to find Tasha ( Sasheer Zamata), the  super hot, super fit, Black front desk clerk standing above her with a bag of ice to soothe what is likely a concussion. Tasha is tasked with taking care of Renee, who she loudly announced wore size 9 ½ double wide spin shoes and at another point described her belly as “full.” It’s clear by their few interactions (Zamata only appears three or four times in the film) that we’re supposed to see Tasha as someone who looks down at Renee. Through Schumer’s lens, someone who looks like Zamata has everything going for her and is fine being relegated to the background to make way for her.
Related: WHITE FEMINISTS, WE CAN STILL SEE YOUR CIS WHITE SUPREMACY UNDER YOUR PINK PUSSY HATS

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