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As sexist and misogynistic as it is heteronormative, this inordinate value placed on romance and marriage is consistently used to devalue single and unmarried women, painting us as inherently unworthy and pathetic, too difficult and too picky.

Romance is not universal, or necessary. However, due to the way that romance has been heralded as a fundamental part of human experience (and even non-human animal experience in some instances), this is something that many people will disagree with. So, I will say it again. Romance is not universal, or necessary. The idea that it is necessary is one that is deeply embedded among societal expectations and permissions about relationships (and sex), and it is imperative for us to understand that our experiences with romance are not universal and that all orientations are valid. To many people, romance is a necessary part of their lives, and that is fair. For others, however, romance is a foreign and sometimes impossible concept. For some, romantic entanglements easily become toxic. For some, romantic involvements easily trigger many anxieties. For some, romantic situations are traumatic. The term amatonormativity, coined by Elizabeth Blake, refers to the “widespread assumption that everyone is better off in an exclusive, romantic, long-term coupled relationship, and that everyone is seeking such a relationship.” It constructs romantic relationships as inherently superior and more necessary than non-romantic ones. This pervasive idea is damaging for everyone, as Elizabeth Brake details in her scholarships on marriage and policy, but especially so for those on the aromantic spectrum and others who fall outside of the heteronormative monogamous model of romance. Amatonormativity erases the significance of familial, platonic, and queerplatonic friendships/relationships. So much so, that we refer to romantic partners as “significant other.” As a largely heteronormative concept, it is one of the driving forces behind mind-boggling and widely accepted cultural myths like "men and women can't be friends,” because it assumes that romance, and by extension, sex are the default in relationships between men and women. It's also why so many people abandon friendships and neglect other people when they start dating someone new. And why the contemporary concept of marriage is viewed as the end goal of dating, despite the fact that marriage is neither wanted or needed by many people for legitimate reasons.
Related: OUR IDEAS OF ROMANCE ARE ABUSIVE

P.T. Barnum was a wicked man, and deserves to be remembered as such.

Every so often pop culture affords us the opportunity to subvert a paradigm, promoting diversity and inclusion through storytelling—the upcoming "A Wrinkle In Time" and "Ocean’s Eight" are perfect examples. But unfortunately and most of the time, like in Hugh Jackman’s new biopic "The Greatest Showman", visual media not only upholds systemic and structural inequalities but goes even further to whitewash over terrible history and evil deeds. "The Greatest Showman" presents the founder of the circus P.T. Barnum as a charismatic hero, framed in multiple love story narratives, as we follow his creation of his so-called Greatest Show On Earth. While multiple accounts of Barnum’s real-life personality do indicate his commanding stage presence and business smarts, "The Greatest Showman" appears to gloss over and omit the laundry list of cruelty, misinformation, and exploitation upon which Barnum relied for his capitalist circus and sideshow projects. Step right up for a reality check about P.T. Barnum. While historians can claim that Barnum made space for the disabled and atypical to work within their physical means, Barnum’s advent of the “freakshow” did not work to promote anti-ableist human rights. Instead, he further marginalized and othered them by framing them as those who are not like "normal" people—he displayed them in ways to heighten their perceived monstrousness and physical difference. The people used as human displays were taunted and verbally abused by spectators, and they were mistreated behind the scenes as well since they had no power to demand equal or even fair treatment to able-bodied carnies and visitors. The "freaks" were not considered equals to the "norms", a fact that "The Greatest Showman" has conveniently overlooked. Often these sideshow performers were indentured servants to the Big Top, since their weekly wages were subsumed into Barnum’s money-making machine to cover lodging and food when touring the country.
Related: THE MANIC PIXIE SICK GIRL: THE TOXIC REPRESENTATIONS OF CHRONIC ILLNESS IN FILM

Black women are carving spaces for themselves in Hollywood, and now you can look like you just leapt out of Marvel's upcoming Black Panther film.

  Thanks to Douriean Fletcher, an LA-based jewelry designer and Special Jewelry Costumer for Marvel's upcoming, much-anticipated Black Panther film, you can look like you just leapt out of Wakanda.   https://www.instagram.com/p/BbSQSp1Hk6i/?taken-by=douriean https://www.instagram.com/p/BbHqP7jHtIR/?taken-by=douriean  

In choosing to even suggest censoring certain terms, the federal government only continues its long tradition of wielding the narrative to its pleasure, with dangerous consequences for the rest of us.

Recent media reports cited an alleged directive by the US administration to prohibit the use of seven words in documents related to the 2019 budget at the Department of Health and Human Services (HHS), including the Centers for Disease Control and Prevention (CDC), a prominent US health agency. However, follow-up reporting and statements from HHS officials refuted the claim, referring to initial media reports as a “mischaracterization”. Unnamed officials have also allegedly asserted that the words were an internal guidance meant to aid in securing 2019 budget approval from Congress. Confusing and complex as the news may be however, many remain alarmed regarding the “banned word” list, which includes the words: “entitlement,” “science-based,” “fetus,” “transgender” “vulnerable,” “diversity,” and “evidence-based”. Indeed the case does remain that officials from the Federal Executive at the very least suggested that certain words be avoided in the critical budget process, a move that could have policy implications down the road. Following news reports, analysis actually shows that the 2018 budget documents already show a significant drop in the seven words “banned words”. In truth this perhaps subtle control of the narrative has always been an integral tradition in the country. The United States and its sub-national governments and local agents have a long history in employing censorship or censorship-like policies as staunch defenders and active perpetrators of the oppression of marginalized peoples. For example, direct action was taken to suppress abolitionist pamphlets and literature by local postmasters, an action the federal Postmaster General ruled in 1835 he would not prevent nor condemn. Later on the legal the system would then be weaponized to persecute those who voiced views unsupported by the government, such as radical leftists and communists through the Smith Act and Smith Act Trials of 1949. And the Trump administration has shown itself to be actively committed to continuing this legacy. Even within its own government, the administration has attempted other types of censorship-like policies as well. Earlier this year scientists receiving grants from the Department of Energy reported being asked to remove mentions of “climate change” from their work. Later, analyses found that the Environmental Protection Agency (EPA) had removed dozens of climate-related resources, although the EPA claims they have simply been archived.
Related: DONALD TRUMP SAYS WITHDRAWING FROM PARIS ACCORD IS GOOD FOR AMERICA BECAUSE HE’S IN LOVE WITH LYING

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